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・ Prelude in A minor, Op. 51, No. 2 (Scriabin)
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・ Prelude in C
・ Prelude in C (Bach)
・ Prelude in C major
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・ Prelude in C minor
Prelude in C Minor (BWV 999)
・ Prelude in C minor (Rachmaninoff)
・ Prelude in C minor, BWV 999
・ Prelude in C-sharp minor
・ Prelude in C-sharp minor (Rachmaninoff)
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・ Prelude in D major (Rachmaninoff)
・ Prelude in D minor (Rachmaninoff)
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・ Prelude in E-flat major (John Ireland)
・ Prelude in E-flat major (Rachmaninoff)
・ Prelude in E-flat minor (Rachmaninoff)
・ Prelude in F major, Op. 49, No. 2 (Scriabin)


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Prelude in C Minor (BWV 999) : ウィキペディア英語版
Prelude in C Minor (BWV 999)

Prelude in C Minor (BWV 999), also termed The "Little" Prelude in C Minor, is a piece written by Johann Sebastian Bach sometime between 1717 and 1723. Though originally composed for Lute-Harpsichord, it has since been adapted for various instruments, including lute, piano and guitar. It is a pedagogical work much in the spirit of ''The Well-Tempered Clavier'', with which it shares musical characteristics. The piece's true authorship fell into question for decades before being proven to be Bach's by publication of Hans Neemann’s ''J. S. Bach Lautenkompositionen'' (1931).
== History ==
The piece's exact year of creation is the subject of extensive speculation. The Oxford Dictionary of Music cites the prelude's similarity to the Well-Tempered Clavier (most notably, the sixteenth-note broken chord patterns anchored by a pedal tone ), stating, "c minor bwv999 shows an affinity with the ‘48’, and may thus belong to the Cöthen or early Leipzig period". However, indirect sources, such as IMSLP and Classical Music Archives, place its origin at 1725 and 1720, respectively. These estimates also conflict with the more direct motivic parallels between BWV 999 and Prelude and Fugue in C Major, (BWV 846), which Bach penned in 1722. As Bach left Weimar to become Kapellmeister at Cöthen in 1717, and departed Cöthen to take his position as cantor/music director in Leipzig in 1723, the uncertainty of dates (wherein the piece was composed between 1717 and 1723) can place it in any one of three locations within Bach's compositional timeline. Initially, analysts were unsure as to whether the prelude was actually composed by Bach, since the only original source discovered was a copy by one of Bach's pupils, Johann Peter Kellner (1705-1772). Analysis contained within Neemann’s ''J. S. Bach Lautenkompositionen'' (1931) later confirmed the authorship.

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